The New Museum, in collaboration with Droga5, cooked up a clever new project called Recalling 1993 to support the exhibit, NYC 1993: Experimental Jet Set, Trash and No Star. Recalling 1993 allows participants to “hear what every neighborhood was like 20 years ago from any pay phone in Manhattan.”
Pay phones still exist in New York?? Apparently so. This project transports participants back to 1993 by utilizing an obsolete old form of pubic telecommunication and transforming it into a geo-location time capsule. There is 4.5 hours of audio featuring oral histories from over 150 New Yorkers. It’s free; no quarter is necessary! Just call 1-855-FOR-1993 from a pay phone.
NYC 1993: Experimental Jet Set, Trash and No Star is on display at the New Museum until May 26, 2013. About the exhibit:
“NYC 1993: Experimental Jet Set, Trash and No Star” looks at art made and exhibited in New York over the course of one year.
“NYC 1993: Experimental Jet Set, Trash and No Star” draws its subtitle from the eponymous album that the New York rock band Sonic Youth recorded in 1993 and captures the complex exchange between mainstream and underground culture across disciplines, which came to define the art of the era. The exhibition takes a broad view of the New York scene as it existed twenty years ago—focusing not only on a single generation of emerging New York artists, but also looking at more senior figures and individuals from other cities who had some of their first significant exhibitions in New York in 1993.
This past week I had the opportunity to participate in a two-day meeting at the Smithsonian to discuss and examine a new project called the Americans All: The Immigration/Migration Initiative. This is a new Smithsonian-wide project that brings together museums and research centers to document and interpret the history and culture of immigration and migration in the United States. The meeting included representatives from Angel Island Immigration Station Foundation, Birmingham Civil Rights Institute, Ellis Island Foundation, Institute of Texan Cultures, Japanese American National Museum, National Museum of American Jewish History, Plimoth Plantation, Senator John Heinz History Center, Western Reserve Historical Society, Arab American National Museum, as well as several departments from within the Smithsonian.
Over the course of the two-days, each organization was allotted time to present on relevant immigration projects, such as exhibits and public programs, that take place at their museum. I enjoyed learning how each institution adresses this important, and often controversial, topic. Although we’ve worked with some of these museums in the past, I think new and deeper collaboration will result from partnering on this initiative.
One important outcome of the meeting was to establish collaborative programming on immigration for the near future. The proposed ideas are being synthesized by project staff and will be re-distributed to the partners soon. I suspect a pilot program will launch sometime later this year, so keep an ear to the ground. In addition, the Smithsonian has bigger plans for the future that may include major programs and exhibits (perhaps in 2015/16).
I applaud the Smithsonian for addressing such an important and timely topic. Indeed, I think much is to be gained through this initiative and I suspect it will play an important role in helping to re-examine what it means to be American in the 21st century. If you’re interested in staying abreast of new developments with the project, then I recommend you “like” the Americans All: The Immigration/Migration InitiativeFacebook page.
Here’s a copy of the presentation I delivered on Wednesday, January 25:
Looking for something fun to do this weekend? Come check out the annual Arab Film Festival at the Arab American National Museum. This year’s festival, Before The Spring: Alternative Arab Cinema from 2005 to Today, explores films that were produced leading up to the “Arab Spring.” The festival was curated by our friends at ArteEast. You can read more about the festival over at the HuffPost Detroit.
Greetings to those visiting from the Registrars Committee of the American Association of Museums’ (RC-AAM) fourth International Registrars Symposium (IRS 2011). I’ve uploaded my presentation below. If you wish to continue the discussion from the conference, please contact me at dakmon[at]accesscommunity[dot]org. Thanks for visiting.
Welcome to those I met earlier today at the Cultural Alliance of Southeastern Michigan’s annual meeting. It was a pleasure meeting many new people and I enjoyed discussing new ideas, initiatives and potential collaborations.
Here’s a copy of the presentation I delivered early today. If you have comments or questions, please feel free to leave a remark below or contact me through LinkedIn.
DIWAN unites Arab American artists, scholars and performers representing myriad academic fields and artistic genres. The conference affords a safe space to discuss topics and issues affecting the community of artists while also fostering an open environment conducive to networking and community building. Most importantly, the presentations shed light on what’s new in the world of Arab American art while creating a greater awareness for the artists and their artwork.
I’ve been involved with DIWAN since it’s inception. I’ve had the honor and pleasure of moderating a panel at all four conferences. This year I will be moderating the session, The Stories We Tell: Arab Americans convey their truth through emerging mediums of installation art, film and the graphic novel. I’m looking forward to working with a great group of presenters and I expect nothing less than another inspiring and informative conference.
It’s really quite amazing how big we’ve grown this grassroots conference in five short years. Working on this project is definitely one of the highlights of my job at the AANM. If you’re in New York this weekend (March 25-26), be sure to stop by the CUNY Graduate Center, which is where the conference will be taking place. Oh, by the way, I forgot to mention it’s FREE. Yes, we are all about being open and accessible to the public.
Also, be sure to check out the schedule and peep some photos from the 2007 and 2009 conferences. We’ve also published the audio and video of sessions from the 2009 conference on our iTunes U site. Hope to see you there this weekend!
Earlier today, the Arab American National Museum participated in the National Youth Summit held at the National Museum of American History to commemorate the 50th anniversary of the 1961 Freedom Rides. The AANM was one of five Smithsonian Affiliate sites that hosted a regional town hall discussion in conjunction with the event. The other sites included The Birmingham Civil Rights Institute in Birmingham, Alabama; The National Underground Railroad Freedom Center in Cincinnati, Ohio; Senator John Heinz History Center in Pittsburgh, Pennsylvania; and the Japanese American National Museum in Los Angeles, California.
The regional town hall at the AANM brought together four local schools and two veterans of the Freedom Rides. Prior to their visit to the Museum, the students watched advance copies of the new documentary Freedom Riders by filmmaker Stanley Nelson (American Experience/PBS). Today the students electronically joined others from across the country for the National Youth Summit. Many renowned activists participated in the program and their message of justice and equality through nonviolent protest inspired us all.
Here are some photos I took of the program at the AANM. The pictures show Reverend Richard Gleason on the left and Reverend Gordon Negen on the right. Although their experiences participating in the Freedom Rides were quite different, both shared inspiring and heartfelt stories.
As an aside, you can catch an advance screening of the new documentary tomorrow evening at the AANM. Freedom Riders will not premier on PBS until May. Additionally, we will have a Q&A session following the screening with Reverend Richard Gleason and John Hardy. Be sure to join us!
At first glance, Google’s new Art Project looks really impressive. Thanks to Google’s Street View technology, the project allows online visitors the opportunity to virtually move around museum galleries. Users can explore high-resolution images of artwork, which are between 7-14 billion pixels in depth. Select works of art are supported with expandable info panels and related YouTube videos for additional information. Additionally, users can play curator and build and share their own personalized collections.
As one might expect, the seventeen participating institutions rank among the world’s finest art museums. I hope Google opens this project up to more museums in the near future.
Vincent van Gogh's The Starry Night, zoomed in, on Google's new Art Project
If dissension arises over the presentation of a piece, then rather than remove it, that is the very moment to initiate conversation so that all perceptions may be heard in an effort to create greater awareness and understanding.
Well said. I’m pleased to read that the Hirshhorn Museum and Sculpture Garden has broken ranks within the Smithsonian Institution to denounce the removal of a video by David Wojnarowicz from the Hide/Seek: Difference and Desire in American Portraiture exhibit at the National Portrait Gallery. Read An Open Letter from the Board of Trustees.
Gregory Chamberlain and Museum Identity are publishing a promising collection of books that will explore timely issues and trends from within the global museum community. This nine volume collection includes chapters written by over one hundred museum professionals from seventeen countries. That’s pretty impressive!
The nine books that comprise the collection are:
The Radical Museum: democracy, dialogue & debate
Museums and Meaning: idiosyncrasy, individuality and identity
Meaning Making & Storytelling: engaging visitors, empowering discovery and igniting debate
Museums Fighting Human Rights
Greener Museums: sustainability, society and public engagement
Museums Forward: social media, broadcasting and the web
Museum Learning: knowledge, ideas and inspiration
Interactive Galleries: digital technology, handheld interpretation and new media
Museum Public: audience development, brand identity and marketing strategies
The chapter I contributed, Connecting Communities: Dispelling Stereotypes and Building Community History, will be featured in The Radical Museum: democracy, dialogue & debate, which will be published in January 2011. To learn more about the books and to order your copy, visit Museum Identity.